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Nice guy

Term in popular psychology

For other uses, see Nice Guy (disambiguation).

"Nice guy" is an informal term, commonly used with either a literal or a sarcastic meaning, for a man (often a young adult).

In the literal sense, the term describes a man who is agreeable, gentle, compassionate, sensitive and vulnerable.[1] The term is used both positively and negatively.[2] When used positively, and particularly when used as a preference or description by someone else, it is intended to imply a man who puts the needs of others before his own, avoids confrontations, does favors, provides emotional support, tries to stay out of trouble, and generally acts nicely towards others.[3] In the context of a relationship, it may also refer to traits of honesty, loyalty, romanticism, courtesy, and respect.

When used negatively, a nice guy implies a man who is unassertive or otherwise "non-masculine". The opposite of a genuine "nice guy" is commonly described as a "jerk", a term for a mean, selfish and uncaring person. A man is labeled a “jerk” on how he treats his partner, seen as the extreme case where he would not have a sensitive or kind side and is seen as a “macho man” and insensitive type.[4]

However, the term is also often used sarcastically, particularly in the context of dating,[1] to describe someone who believes himself to possess genuine "nice guy" characteristics, even though he actually does not, and who uses acts of friendship and basic social etiquette with the ulterior aim of progressing to a romantic or sexual relationship.[5][6]

There is also a new construct that is where this is known as the "Nice Guy Syndrome". This is when these men who act nice, gentle, and respectful expect that they are entitled to women because they are the "nice guy." These nice deeds are performed by these "nice guys" in an attempt to please women into a relationship.

Research on female preferences[edit]

"Nice guy" construct[edit]

In their qualitative analysis, Herold and Milhausen[7] found that women associate different qualities with the "nice guy" label: "Some women offered flattering interpretations of the 'nice guy', characterizing him as committed, caring, and respectful of women. Some women, however, emphasized more negative aspects, considering the 'nice guy' to be boring, lacking confidence, and unattractive."[8] The "bad boys" were also divided into two categories, "as either confident, attractive, sexy, and exciting or as manipulative, unfaithful, disrespectful of women, and interested only in sex." This distinction helped further the understanding of why women might prefer "nice guys" or "not-nice guys". Women were also asked for their preferences and what values they may look in each relationship, such as attractiveness, and sexual desires in short- and long-term relationships.[further explanation needed][8]

Nice guys are sometimes suggested to be overbearing or lacking in vision and ambitions; these opinions suggest self-confidence as a key point and area of improvement. Often these ideas and views of a certain nice guy can contribute to a woman's willingness to pursue a romantic relationship.[9]

Researchers have therefore operationalized the "nice guy" and "jerk" constructs in different ways, some of which are outlined below.[1]

Results of research[edit]

Various studies explicitly try to elucidate the success, or lack thereof, of "nice guys" with women.[1][7][10][11]

Jensen-Campbell et al. (1995) operationalized "niceness" as prosocial behavior, which included agreeableness and altruism. They found that female attraction was a result of an interaction of both dominance and prosocial tendency. They suggest that altruism may be attractive to women when it is perceived as a form of agentic behavior.

Nice guys are usually seen as twice as attractive as men who present themselves as neutral, and eight times more attractive than the "jerks" in a dating profile. Social dominance enhances female attraction to a male who has shown in the relationship niceness, traits of kindness and warmth stated by women looking for long-term relationships, and less status and physical attractiveness.[12]

Sprecher and Regan (2002) found kindness, warmth, expressiveness, openness, and humor as desirable traits of a long-term partner. Social status indicators, such as future earning potential (wealth), were not viewed as more desirable traits when compared to the previous traits. Participants suggested they wanted more humor, expressiveness and warmth from their partner than is expressed with their friends.[13]

Herold and Milhausen (1998) found that women are more likely to report wanting a nice guy but do not choose them in their real dating life. They also found that women perceived nice guys as having less sexual partners in general but perceived them as more eligible for dating. Women claim to prefer to date people who have less sexual experience. A third of the women, however, had reported dating multiple partners that had had more sexual experience than them. There was a dichotomist relationship between a woman’s perception of what a nice guy is and does and whether or not he “finishes last,” as the common adage states. If a woman believes that a nice guy is kind and respectful to women then they will say that he does not finish last. If the nice guy is perceived as being passive or unattractive then they will say that he does finish last.[14]

Urbaniak and Killman (2003) constructed vignettes of four hypothetical dating show contestants: "Nice Todd" vs. "Neutral Todd" vs. "Jerk Todd" vs. "Michael", who was created to be a control. "Nice Todd" described a "real man" as "in touch with his feelings," kind and attentive, non-macho, and interested in putting his partner's pleasure first. "Neutral Todd" described a "real man" as someone who "knows what he wants and knows how to get it," and who is good to the woman he loves. "Jerk Todd" described a "real man" as someone who "knows what he wants and knows how to get it," who keeps everyone else on their toes, and avoids "touch-feely" stuff. "Michael" described a "real man" as relaxed and positive. In two studies, Urbaniak and Kilmann found that women claimed to prefer "Nice Todd" over "Neutral Todd" and "Jerk Todd," relative to "Michael" even at differing levels of physical attractiveness. They also found that for purely sexual relationships, "niceness appeared relatively less influential than physical attractiveness." After acknowledging that women's preference for "niceness" could be inflated by the social desirability bias, especially due to their use of verbal scripts, they conclude that "our overall results did not favor the nice guy stereotype; instead, our results suggested that women’s attitudes (as expressed in previous studies) do, in fact, generally match their behaviors. Niceness was a robust, positive factor in women’s choices of a dating partner and in how desirable they rated Todd."[15]

McDaniel (2005) constructed vignettes of dates with a stereotypical "nice guy" vs. a stereotypical "fun/sexy guy," and attempted to make them both sound positive. Questionnaires were offered to a group of women in which they were presented with two scenarios, one involving the nice guy and the other involving the fun/sexy guy. The two variables being measured were the women’s likelihood of picking a nice guy versus a fun/sexy guy, and their reasons for so doing. It was found that there was a stronger correlation between a woman’s perceived positive traits in the man than in her goals for the dating relationship, both of which were measured in the questionnaire. The two traits that predicted likelihood for wanting to pursue a relationship were physical attractiveness and niceness/sweetness. However, if a man was perceived to be nice/sweet but was not found physically attractive it hurt his chances of a romantic relationship even more. In the study there was no way to directly measure the physical attractiveness of the men with whom they were presented; they only had information with which they could draw conclusions. Because they could not see the men and only had information to use, McDaniel found that this may suggest that women romanticize the idea of a nice/sweet guy, but often do not choose him because in reality he is likely to be less attractive than a so-called “jerk.”[16]

A 2008 study at New Mexico State University in Las Cruces showed that "nice guys" report having significantly fewer sexual partners than "bad boys."[17][18]

Barclay (2010) found that when all other factors are held constant, guys who perform generous acts are rated as more desirable for dates and long-term relationships than non-generous guys. This study used a series of matched descriptions where each male was presented in a generous or a control version which differed only in whether the man tended to help others. The author suggests that niceness itself is desirable to women, but tends to be used by men who are less attractive in other domains, and this is what creates the appearance of "nice guys finish last."[19]

Judge et al (2011) concluded that "Nice guys do not necessarily finish last, but they do finish a distant second in terms of earnings ... yet, seen from the perspective of gender equity, even the nice guys seem to be making out quite well relative to either agreeable or disagreeable women."[20]

Sadalla, Kenrick, and Vershure (1985) found that women were sexually attracted to dominance in men (though dominance did not make men likable to women), and that dominance in women had no effect on men. This may further suggest that the nice guy myth is one of sexual preference, and not of dating preference. Women appear in practically all studies to be accepting of romantic relationships with nice guys but are less likely to consider them casual sexual partners.

[21]

Bogaert and Fisher (1995) studied the relationships between the personalities of university men and their number of sexual partners. They found a correlation between a man's number of sexual partners, and the traits of sensation-seeking, hypermasculinity, physical attractiveness, and testosterone levels. They also discovered a correlation between maximum monthly number of partners, and the traits of dominance and psychoticism. Bogaert and Fisher suggest that an underlying construct labelled "disinhibition" could be used to explain most of these differences. They suggest that disinhibition would correlate negatively with "agreeableness" and "conscientiousness" from the Big Five personality model.[22]

Botwin, Buss and Shackelford (1997) found that women had a higher preference for surgency and dominance in their mates than men did, in a study of dating couples and newlyweds.[23]

Ahmetoglu and Swami (2012) found that men were rated to be more attractive if women perceived them as more dominant, represented in the study by open body posture and gesticulation.[24]

Other viewpoints[edit]

The "nice guys finish last" view[edit]

A common aphorism is that "nice guys finish last."[10] The phrase is based on a quote by Brooklyn Dodgers manager Leo Durocher in 1946, which was then condensed by journalists.[25][26] The original quote by Durocher was, "The nice guys are all over there, in seventh place" (6 July 1946),[25][27] when referring to the 1946 New York Giants, who were the Dodger's rivals. The seventh place that Durocher was referring to was actually second-to-last place in the National League; many variants appear in later works,[28] including Durocher's autobiography, Nice Guys Finish Last.[29] The Giants would finish the 1946 season in the National League cellar, while Durocher's Dodgers would end up in second place.[30]

Simplistically, the term "nice guy" could be an adjectival phrase describing what appears to be a friendly, kind, or courteous man. The "nice guys finish last" phrase is also said to be coined by American biologist Garrett Hardin to sum up the selfish gene theory of life and evolution. This was disputed by Richard Dawkins, who wrote the book The Selfish Gene. Dawkins was misinterpreted by many as confirming the "nice guy finishing last" view, but refuted the claims in the BBC documentary Nice Guys Finish First.[31]

The "nice guys finish last" view is that there is a discrepancy between women's stated preferences and their actual choices in men. In other words, women say that they want nice guys, but really go for men who are "jerks" or "bad boys" in the end. This may lead to men’s discouragement in attempting to have casual sexual relationships with women and also in their pursuit of romantic relationships. Stephan Desrochers claims, in a 1995 article in the journal Sex Roles, that many "sensitive" men, based on their own personal experience, do not believe women actually want "nice guys." Because of this belief, men are less likely to pursue a romantic relationship with a woman if they perceive themselves as nice guys. If they do not believe that women will be sexually or romantically attracted to them because of their more feminine or “nice” traits, then they will likely be concerned, possibly another trait that leads to women’s preference for jerks. In other words, men who are more confident and worry less if they are being perceived a certain way are more likely to have a romantic or casual sexual relationship with a woman of their choice.[32]

According to McDaniel, popular culture and dating advice "...suggest that women claim they want a 'nice guy' because they believe that is what is expected of them when, in reality, they want the so-called 'challenge' that comes with dating a not-so-nice guy."[1]

Urbaniak & Kilmann write that:

"Although women often portray themselves as wanting to date kind, sensitive, and emotionally expressive men, the nice guy stereotype contends that, when actually presented with a choice between such a 'nice guy' and an unkind, insensitive, emotionally-closed, 'macho man' or 'jerk,' they invariably reject the nice guy in favor of his 'so-called' macho competitor."[10]

Another perspective is that women do want "nice guys," at least when they are looking for a romantic relationship. Desrochers (1995) suggests that "it still seems popular to believe that women in contemporary America prefer men who are 'sensitive,' or have feminine personality traits." In a study done by Ahmetoglu and Swami (2012) it was found that women were more sexually attracted to men who had more dominant behaviors compared to men who were more closed off.[33]

Herold and Milhausen[34] found that 56% of 165 university women claimed to agree with the statement: "You may have heard the expression, 'Nice guys finish last.' In terms of dating, and sex, do you think women are less likely to have sex with men who are 'nice' than men who are 'not nice'?" A third view is that while "nice guys" may not be as successful at attracting women sexually, they may be sought after by women looking for long-term romantic relationships (however, "nice guys need not lose all hope, with studies showing that while women like 'bad boys' for flings, they tend to settle down with more caring types." The "bad boys" tending to exhibit the dark triad, i.e., "the self-obsession of narcissism, the impulsive, thrill-seeking and callous behavior of the psychopath and the deceitful and exploitative nature of Machiavellianism." It is a possibility that women leave to escape their circumstances of abuse, disease, or pregnancy to seek a chance with the nice guy (they rejected previously), afterwards.[35]

Herold and Milhausen claim: "While 'nice guys' may not be competitive in terms of numbers of sexual partners, they tend to be more successful with respect to longer-term, committed relationships." This is due to the ‘nice guys’ generally denote an interest in long-term relationships rather than the concept that a ‘jerk’ is only around to have sexual partners and will move on sooner for their lack of interest in long-term relationships.[34]

Another study indicates that "for brief affairs, women tend to prefer a dominating, powerful and promiscuous man." Further evidence appears in a 2005 study in Prague: "Since women can always get a man for a one-night stand, they gain an advantage if they find partners for child-rearing."[36]

"Nice Guy" syndrome[edit]

The terms "Nice Guy" and "nice guy syndrome" can be used sarcastically to describe a man who views himself as a prototypical "nice guy," but whose "nice deeds" are deemed to be solely motivated by a desire to court women. From said courting, the 'nice guy' may hope to form a romantic relationship or may be motivated by a simple desire to increase his sexual activity. The results of failure are often resentment toward women and/or society. The 'nice guy' is commonly said to be put by women "into the friend zone" who do not reciprocate his romantic or sexual interest. These men believe in this motive because of the societal roles that say women belong to them. A reasoning behind this can be because women are sexualized in video games, television, and movies. Third wave feminist interpretations tend to see this resentment as being based upon an assumption by men that they are entitled to sex and are therefore confused when they find that it is not forthcoming despite their supposed 'niceness.'[37] More male orientated interpretations claim that the resentment is down to the fact that society, and the vast majority of people in spoken conversation, claim to be attracted to traits such as honesty, integrity and kindness, when in reality more superficial considerations trigger attraction. According to this interpretation people who display wealth, good looks, dominance and confidence tend to succeed more in romance than do 'nice guys.' Nice guys are therefore resentful at the inconsistency between what people claim to be attracted to and by how they act in reality.[38][39] At times, these men are also known by the term "white knight."

In early 2002, the web site Heartless Bitches International (HBI)[40] published several "rants" on the concept of the Nice Guy. The central theme was that a genuinely nice male is desirable, but that many Nice Guys are insecure men unwilling to articulate their romantic or sexual feelings directly. Instead, they choose to present themselves as their paramour's friend, and hang around, doing nice things for her in hopes that she will pick up on their desire for her. If she fails to read their secret feelings, Nice Guys become embittered and blame her for taking advantage of them and their niceness. The site is particularly critical of what they see as hypocrisy and manipulation on the part of self-professed Nice Guys.[41][42]

According to journalist Paris Martineau, the incel and red pill movements (part of the anti-feministmanosphere) recruit depressed, frustrated men – who may suffer from "Nice Guy syndrome" – into the alt-right.[43]

See also[edit]

References[edit]

  1. ^ abcdeMcDaniel, A. K. (2005). "Young Women's Dating Behavior: Why/Why Not Date a Nice Guy?". Sex Roles. 53 (5–6): 347–359. doi:10.1007/s11199-005-6758-z. S2CID 51946327.
  2. ^"No More Mr. Nice Guy". 12 July 2005. Archived from the original on 17 January 2013. Retrieved 28 March 2013.
  3. ^Glover, Dr. Robert, http://nomoremrniceguy.com
  4. ^Urbaniak, Geoffrey C.; Kilmann, Peter R. (1 November 2003). "Physical Attractiveness and the "Nice Guy Paradox": Do Nice Guys Really Finish Last?". Sex Roles. 49 (9): 413–426. doi:10.1023/A:1025894203368. ISSN 1573-2762. S2CID 51001366.
  5. ^Blomquist, Daniel (2 April 2014). "When nice guys are sexist with a smile". Berkeley Beacon. Archived from the original on 20 March 2015. Retrieved 9 December 2014.
  6. ^Dasgupta, Rivu. "The Friend Zone is Sexist". The Maneater. Archived from the original on 5 December 2014. Retrieved 1 November 2014.
  7. ^ abHerold, E. S.; Milhausen, R. (1999). "Dating preferences of university women: An analysis of the nice guy stereotype". Journal of Sex & Marital Therapy. 25 (4): 333–343. doi:10.1080/00926239908404010. PMID 10546171.
  8. ^ abHerold, Edward S.; Milhausen, Robin R. (1 October 1999). "Dating preferences of university women: An analysis of the nice guy stereotype". Journal of Sex & Marital Therapy. 25 (4): 333–343. doi:10.1080/00926239908404010. ISSN 0092-623X. PMID 10546171.
  9. ^McDaniel, A. K. (2005). Young Women’s Dating Behavior: Why/Why Not Date a Nice Guy? Sex Roles, 53(5/6), 347–359. https://doi.org/10.1007/s11199-005-6758-z
  10. ^ abcUrbaniak, G. C.; Kilmann, P. R. (2003). "Physical attractiveness and the 'nice guy paradox:' Do nice guys really finish last". Sex Roles. 49 (9–10): 413–426. doi:10.1023/A:1025894203368. S2CID 51001366.
  11. ^Jensen-Campbell, L. A.; Graziano, W. G.; West, S. G. (1995). "Dominance, prosocial orientation, and female preferences: Do nice guys really finish last?". Journal of Personality and Social Psychology. 68 (3): 427–440. doi:10.1037/0022-3514.68.3.427.
  12. ^DiDonato PhD, Theresa. E. "Do Nice Guys Really Finish Last?". psychologytoday. Retrieved 30 April 2019.
  13. ^Sprecher & Regan, S., P. C. (2002). "Liking some things (in some people) more than others: Partner preferences in romantic relationships and friendships". Journal of Social and Personal Relationships. 1 (19): 463–481. doi:10.1177/0265407502019004048. S2CID 55902623.
  14. ^S. Herold, Robin R. Milhausen, Edward (1 September 1999). "Dating Preferences of University Women: An Analysis of the Nice Guy Stereotype". Journal of Sex & Marital Therapy. 25 (4): 333–343. doi:10.1080/009262399278788. ISSN 0092-623X. PMID 10546171.
  15. ^Urbaniak, Geoffrey C.; Kilmann, Peter R. (2003). "Physical Attractiveness and the "Nice Guy Paradox": Do Nice Guys Really Finish Last?". Sex Roles. 49 (9/10): 413–426. doi:10.1023/a:1025894203368. ISSN 0360-0025. S2CID 51001366.
  16. ^McDaniel, Anita K. (September 2005). "Young Women's Dating Behavior: Why/Why Not Date a Nice Guy?". Sex Roles. 53 (5–6): 347–359. doi:10.1007/s11199-005-6758-z. ISSN 0360-0025. S2CID 51946327.
  17. ^"Why Nice Guys Finish Last". ABC News. 19 June 2008.
  18. ^Inman, Mason (18 June 2008). "Bad guys really do get the most girls". New Scientist.
  19. ^Barclay, P (2010). "Altruism as a courtship display: some effects of third-party generosity on audience perceptions". British Journal of Psychology. 101 (Pt 1): 123–135. doi:10.1348/000712609x435733. PMID 19397845.
  20. ^ Judge, Timothy A.; Livingston, Beth A.; Hurst, Charlice, "Do nice guys—and gals—really finish last? The joint effects of sex and agreeableness on income", Journal of Personality and Social Psychology, 28 November 2011 (abstract full textArchived 15 December 2011 at the Wayback Machine )
  21. ^Sadalla, E. K.; Kenrick, D. T.; Venshure, B. (1987). "Dominance and heterosexual attraction". Journal of Personality and Social Psychology. 52 (4): 730–738. CiteSeerX 10.1.1.466.7042. doi:10.1037/0022-3514.52.4.730.
  22. ^Bogaert, A. F.; Fisher, W. A. (1995). "Predictors of university men's number of sexual partners". Journal of Sex Research. 32 (2): 119–130. doi:10.1080/00224499509551782. JSTOR 3812964.
  23. ^Botwin, M. D.; Buss, D. M.; Shackelford, T. K. (1997). "Personality and mate preferences: Five factors in mate selection and marital satisfaction". Journal of Personality. 65 (1): 107–136. doi:10.1111/j.1467-6494.1997.tb00531.x. PMID 9143146.
  24. ^Ahmetoglu, Gorkan; Swami, Viren (1 May 2012). "Do Women Prefer "Nice Guys"? The Effect of Male Dominance Behavior on Women's Ratings of Sexual Attractiveness". Social Behavior and Personality. 40 (4): 667–672. doi:10.2224/sbp.2012.40.4.667. ISSN 0301-2212.
  25. ^ abThe Yale Book of Quotations, Fred R. Shapiro, Yale University Press, 2006, p. 221
  26. ^""Nice guys finish last" - phrase meaning and origin". phrases.org.uk. Retrieved 11 March 2018.
  27. ^N.Y. Journal American, 1946 July 7
  28. ^Boller, Jr., Paul F.; George, John (1989). They Never Said It: A Book of Fake Quotes, Misquotes, and Misleading Attributions. New York: Oxford University Press. ISBN .
  29. ^Nice Guys Finish Last, by Leo Durocher, with Ed Linn, Simon & Schuster, 1975, renders it as "Take a look at them. All nice guys. They’ll finish last. Nice guys – finish last."
  30. ^"1946 Brooklyn Dodgers Statistics". Baseball-Reference.com. Retrieved 20 November 2021.
  31. ^Nice Guys Finish First, retrieved 20 November 2021
  32. ^Desrochers, Stephan (1995). "What types of men are most attractive and most repulsive to women". Sex Roles. 32 (5–6): 375–391. doi:10.1007/BF01544603. S2CID 143785303.
  33. ^Ahmetoglu, G.; Swami, V. (2012). "Do women prefer "nice guys"? The effect of male dominance behavior on women's ratings of sexual attractiveness". Social Behavior and Personality. 40 (4): 667–672. doi:10.2224/sbp.2012.40.4.667. ISSN 0301-2212.
  34. ^ abHerold, Edward S.; Milhausen, Robin R. (1999). "Dating preferences of university women: an analysis of the nice guy stereotype". Journal of Sex & Marital Therapy. 25 (4): 333–343. doi:10.1080/00926239908404010. ISSN 0092-623X. PMID 10546171.
  35. ^Herold, E. S.; Milhausen, R. R. (October 1999). "Dating preferences of university women: an analysis of the nice guy stereotype". Journal of Sex & Marital Therapy. 25 (4): 333–343. doi:10.1080/00926239908404010. ISSN 0092-623X. PMID 10546171.
  36. ^Reynolds, Matt (7 August 2005). "Why women cheat / Birds stray the nest and so do many of our human females". The San Francisco Chronicle.
  37. ^"Do 27% of Europeans say rape may be acceptable in some circumstances?". 30 November 2016. Retrieved 11 March 2018.
  38. ^"What romantic comedies can teach us about ourselves – Feministe". feministe.us. Archived from the original on 26 November 2011. Retrieved 11 March 2018.
  39. ^"Regarding 'Nice Guys' and 'Why Women Only Date Jerks'- A Critique of a Masculine Victim-Cult". Retrieved 11 March 2018.
  40. ^Whittaker, Jason (2004). The cyberspace handbook. Routledge. pp. 186–187. ISBN . Retrieved 21 November 2009.
  41. ^"Heartless Bitches International - Why "Nice Guys" are often such LOSERS". heartless-bitches.com. Retrieved 11 March 2018.
  42. ^"Heartless Bitches International - Nice guys we can do without". heartless-bitches.com. Retrieved 11 March 2018.
  43. ^"The alt-right is recruiting depressed people".
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Internet meme

Concept that spreads from person to person via the Internet

An Internet meme, more commonly known simply as a meme (MEEM), is an idea, behavior, image, or style that is spread via the Internet, often through social media platforms. What is considered a meme may vary across different communities on the Internet and is subject to change over time. Traditionally, they were a concept or catchphrase, but the concept has since become broader and more multi-faceted, evolving to include more elaborate structures such as challenges, GIFs, videos, and viral sensations.[1]

Internet memes are considered a part of Internet culture.[1] They can spread from person to person via social networks, blogs, direct email, or news sources. Instant communication on the Internet facilitates word of mouth transmission, resulting in fads and sensations that tend to grow rapidly. An example of such a fad is that of planking (lying down in public places); posting a photo of someone planking online brings attention to the fad and allows it to reach many people in little time. The Internet also facilitates the rapid evolution of memes.

One hallmark of Internet memes is the appropriation of a part of broader culture; in particular, many memes use popular culture (especially in image macros of other media), which can sometimes lead to issues with copyright. "Dank" memes have emerged as a new form of image-macros, and many modern memes take on inclusion of surreal, nonsensical, and non-sequitur themes.[2] Colloquially, the terms meme and Internet meme are used more loosely, having become umbrella terms for any piece of quickly-consumed comedic content that may not necessarily be intended to spread or evolve.

Characteristics

There are two central attributes of Internet memes: creative reproduction of materials and intertextuality. Creative reproduction refers to "parodies, remixes, or mashups," and include notable examples such as "Hitler's Downfall Parodies",[3] and "Nyan Cat", among others. Intertextuality may be demonstrated through memes that combine different cultures; for example, a meme may combine United States politician Mitt Romney's assertion of the phrase "binders full of women" from a 2012 US presidential debate with the Korean pop song "Gangnam Style" by overlaying the politician's quote onto a frame from Psy's music video where paper blows around him. The intertextuality in the example gives new meaning to the paper blowing around Psy; the meme indexes intertextual practices in political and cultural discourses of two nations.[3]

The spread of Internet memes has been described as occurring via two mechanisms: mimicry and remix. Remix occurs when the original meme is altered in some way, while mimicry occurs when the meme is recreated in a different fashion to the original.[4][5] The results in the study of Online Memes, Affinities, and Cultural Production, show that the internet directly adds some longevity in a meme's lifespan.[6]

There is no single format that memes must follow. Photographs of people or animals, especially stock photos, can be turned into memes by superimposing text, such as in Overly Attached Girlfriend. Rage comics are a subcategory of memes which depict a series of human emotions and conclude with a satirical punchline;[7] the sources for these memes often come from webcomics. Other memes are purely viral sensations such as in Keyboard Cat.

Evolution and propagation

Typical format for image macros

An Internet meme may stay the same or may evolve over time, by chance or through commentary, imitations, parody, or by incorporating news accounts about itself. Internet memes spread online through influences such as popular culture.[8] In addition, memes can be subjected to in-jokes within online communities such as Twitter, Tumblr, Facebook, YouTube, Reddit, and 4chan.[9][8] This refers to the memes in-groupness as it communicates an exclusive cultural knowledge unbeknown to general users.[10] In common internet memes, there is a basis for cultural relevance in certain text and imagery associated with memes.[11][8][12] On the macro level, internet memes must be encoded and decoded.[11] Through the spreading process, memes invokes studium and punctum memetrics.[11] Punctum is the aesthetic affiliation to a piece of imagery, thus invoking a reaction.[11] It is the affect of the image.[11] In utilizing affect as a visual vernacular, internet memes create a culture of unspoken referential importance.[9][8] By using explicit cultural knowledge, internet memes provide affect as the emerging communication.[12][11] Studium is the entertaining aspect of internet memes.[11] With the combination of studium and punctum memetrics, individuals perceive and spread memes from their cultural significance to types of memes.[8][11]

Consequently, an internet meme can also rapidly become 'unfashionable', losing its humorous qualities to certain audiences, often even most prevalently by its creator(s). Internet memes usually are formed from some social interaction, pop culture reference, or situations people often find themselves in. Their rapid growth and impact has caught the attention of both researchers and industry.[13] Academically, researchers model how they evolve and predict which memes will survive and spread throughout the Web.[14] The phenomena of viral memes is a users to users experience the represents participatory culture on online platforms.[15]

One empirical approach studied meme characteristics and behavior independently from the networks in which they propagated, and reached a set of conclusions concerning successful meme propagation.[16] For example, the study asserted that Internet memes not only compete for viewer attention generally resulting in a shorter life, but also, through user creativity, memes can collaborate with each other and achieve greater survival.[16] Also, paradoxically, an individual meme that experiences a popularity peak significantly higher than its average popularity is not generally expected to survive unless it is unique, whereas a meme with no such popularity peak keeps being used together with other memes and thus has greater survivability.[16]

Multiple opposing studies on media psychology and communication have aimed to characterize and analyze the concept and representations in order to make it accessible for the academic research.[17][18] Thus, Internet memes can be regarded as a unit of information which replicates via the Internet. This unit can replicate or mutate. This mutation instead of being generational[19] follows more a viral pattern,[20] giving the Internet memes generally a short life. Other theoretical problems with the Internet memes are their behavior, their type of change, and their teleology.[17]

Internet memes have been examined by Dancygier and Vandelanotte in 2017 for aspects of cognitive linguistic and construction grammar. The authors analyzed some selective popular image macros like, Said no one ever, One does not simply, But that's none of my business, and Good Girl Gina to draw attention to the constructionally, multimodality, viewpoint and intersubjectivity of these memes. They further argued that with the combination of text and images, the Internet memes can add to the functioning linguistic construction frame as well as create new linguistic constructions.[21]

Writing for The Washington Post in 2013, Dominic Basulto asserted that with the growth of the Internet and the practices of the marketing and advertising industries, memes have come to transmit fewer snippets of human culture that could survive for centuries as originally envisioned by Dawkins, and instead transmit banality at the expense of big ideas.[22]

History

Origins and early memes

An example of an image macro, a common type of Internet meme in the 2000s

The word meme was coined by Richard Dawkins in his 1976 book The Selfish Gene as an attempt to explain how ideas replicate, mutate, and evolve (memetics).[19] Emoticons are one of the first resemblances of internet memes.[23] In 1982, Scott E. Fahlman introduced the sideways smiley face formed by punctuation marks, with an intention to create emotion and expressions with the use of digital imagery.[23] The concept of the Internet meme was first proposed by Mike Godwin in the June 1993 issue of Wired.[24] In 2013, Dawkins characterized an Internet meme as being a meme deliberately altered by human creativity—distinguished from biological genes and his own pre-Internet concept of a meme, which involved mutation by random change and spreading through accurate replication as in Darwinian selection.[25] Dawkins explained that Internet memes are thus a "hijacking of the original idea", the very idea of a meme having mutated and evolved in this new direction.[26] Furthermore, Internet memes carry an additional property that ordinary memes do not: Internet memes leave a footprint in the media through which they propagate (for example, social networks) that renders them traceable and analyzable.[16]

Internet memes grew as a concept in the mid-1990s. At the time, memes were just short clips that were shared between people in Usenet forums.[citation needed] As the Internet evolved, so did memes. Over the years, many memes have originated on the 4chan website, which have been described as "the cradle of memes, trolling and alterculture"; major memes popularized by that site include lolcats as well as the pedobear.[27]: 74  When YouTube was released in 2005, video memes became popular. Around this time, rickrolling became popular and the link to this video was sent around via email or other messaging sites. Video sharing also created memes such as "Turn Down for What" and the "Harlem Shake". As social media websites such as Twitter and Facebook started appearing, it was now easy to share GIFs and image macros to a large audience. Meme generator websites were created to let users create their own memes out of existing templates. Memes during this time could remain popular for a long time, from a few months to a decade, which contrasts with the fast lifespan of modern memes.[28]

Early in the Internet's history, memes were primarily spread via email or Usenet discussion communities. Messageboards and newsgroups were also popular because they allowed a simple method for people to share information or memes with a diverse population of Internet users in a short period. They encourage communication between people, and thus between meme sets, that do not normally come in contact. Furthermore, they actively promote meme-sharing within the messageboard or newsgroup population by asking for feedback, comments, opinions, etc. This format is what gave rise to early Internet memes, like the Hampster Dance.[29] Another factor in the increased meme transmission observed over the Internet is its interactive nature. Print matter, radio, and television are all essentially passive experiences requiring the reader, listener, or viewer to perform all necessary cognitive processing; in contrast, the social nature of the Internet allows phenomena to propagate more readily. Many phenomena are also spread via web search engines, Internet forums, social networking services, social news sites, and video hosting services. Much of the Internet's ability to spread information is assisted from results found through search engines, which can allow users to find memes even with obscure information.[30][31]

The earlier forms of image based memes include the demotivator, image macro, photoshopped image, LOLCats, advice animal, and comic.[32] The Demotivator image includes a black background with white, capitalized text, often in Times New Roman. The objective of using this format was to parodize inspirational and motivational posters, where the name "demotivator" is derived from.[32] Image macro consists of an image with white Impact font within a black border. The text/context of the meme is at the top and bottom of the image itself.[32] The photoshopped image is closely related to the macro image, but often is created without the use of text, mostly edited with another image.[32] Advice animals contain a photoshopped image of an animal's head on top of a rainbow/color wheel background. It includes the image macro of the top and bottom text with Impact font.[32] LOLCats incorporate the design of image macro and advice animals, but instead of just the cat's head, it is the entire picture unedited with top and bottom text, often with the usage of Internet slang.[32] Comics follow a typical newspaper comic strip format; there are a variety of different ways to create one, as multiple images and texts can be used to create the overall meme. Rage comics such as Trollface were often used to create comic memes.[33][34]

Modern memes

Modern Internet meme on the subject of Wikipedia and pages breaking when certain characters are removed. Internet memes sometimes represent everyday problems.

Modern memes can generally be described as more visually (rather than contextually) humorous, absurd, niche, diverse and self-referential than earlier forms. As a result, they are less intuitive and are less likely to be fully understood by a wider audience. By the mid-2010s, they began to arise first in the form of "dank" memes,[35] a sub-genre of memes usually involving meme formats in a different way to the image macros that were in large use before. The term "dank", which means "a cold, damp place", was later adapted by marijuana smokers to refer to high-quality marijuana, and then became an ironic term for a type of meme, also becoming synonymous for "cool".[36] This term originally meant a meme that was significantly different from the norm but is now used mainly to differentiate these modern types of memes from other, older types such as image macros.[citation needed] Dank memes can also refer to those which are "exceptionally unique or odd".[37] They have been described as "Internet in-jokes" that are "so played out that they become funny again" or are "so nonsensical that they are hilarious".[38]

The formats are usually from popular television shows, movies, or video games and users then add humorous text and images over it.[citation needed] The culture surrounding memes, especially dank memes, grew to the point of the creation of many subcultures surrounding them. For instance, a "meme market", satirizing on the kind of talks and stocks found normally on Wall Street, was created in September 2016. Originally started on Reddit as r/MemeEconomy, people would only jokingly "buy" or "sell" shares in a meme to indicate how popular a meme was thought to be. The market is seen as a way to show how people assign value to commonplace and otherwise valueless things such as memes.[39]

One example of a dank meme is "Who Killed Hannibal", which is made of two frames from a 2013 episode of The Eric Andre Show. The meme features the host Andre shooting his co-host Buress in the first frame and then lamenting that his co-host has been shot in the next, with Andre often depicted blaming someone else for the shot. This was then adapted to other situations, such as baby boomers blaming millennials for problems that they allegedly caused.[40]

Dank memes also stem from interesting real-life images that are shared or remixed many times. So-called "moth" memes (often stylized as "möth") came about after a Reddit user posted a close up picture of a moth that they had found outside their window onto the r/creepy subreddit.[41] The image became popular and began to be used in memes; according to Chris Grinter, a lepidopterist from the California Academy of Sciences, moth memes gained recognition because of the inexplicability surrounding moths' attraction to lamps.[42]

Irony and absurdism

Example of a "deep-fried" meme without any context. Surrealist and nonsensical themes are typical of modern memes.

Many modern memes stem from nonsense or otherwise unrelated phrases that are repeated and placed onto other formats. One example of this is "they did surgery on a grape," from a video of a da Vinci Surgical System performing test surgery on a grape.[43] People sharing the post tended to add the same caption to it ("they did surgery on a grape"), and eventually created a satirical image with several layers of captions on it. Memes such as this one continue to propagate as people start to include the phrase in different, otherwise unrelated memes.[44][45][46]

The increasing trend towards irony in meme culture has resulted in absurdist memes not unlike postmodern art. Many Internet memes have several layers of meaning built off of other memes, not being understandable unless the viewer has seen all previous memes. "Deep-fried" memes, memes that have been distorted and run through several filters and/or layers of lossy compression, are often strange to one not familiar with them.[47] An example of these memes is the "E" meme, a picture of YouTuber Markiplier photoshopped onto Lord Farquaad from the film Shrek, photoshopped into a scene from businessman Mark Zuckerberg's hearing in Congress.[48]

"Surreal" memes are based on the idea of increasing layers of irony so that they are not understandable by popular culture or corporations.[49] This strange irony was discussed in the Washington Post article "Why is millennial humor so weird?" to show the disconnect from how millennials and other generations conceive of humor;[50] the article itself also became a meme where people photoshopped examples of deep-fried and surreal memes onto the article to make fun of the point of the article and the abstraction of meme culture.[51] Bogna M. Konior has described some memes as "surreal, fatalistic, and apocalyptic." Konior claims this trend is the result of grappling with insurmountable-seeming problems facing modern society, including social inequality and climate change and "the insufficiency of politics at this moment of perceived crisis."[52]

Short-form video

See also: Vine (service) and TikTok

After the success of the application Vine, a format of memes emerged in the form of short videos and scripted sketches.[53] Vine, in spite of its closure in early 2017, has still retained relevance through uploads of viral vines in compilations onto other sharing social media sites such as Twitter and YouTube.[54] Since Vine's shutdown, the service TikTok has been described as a better version of Vine and many comparisons have been made between the two platforms;[55] also based on the upload of short-form videos, TikTok, however, allows videos and memes up to three minutes in length rather than six seconds.[56]

See also: Reaction video

The short-form videos created on sites like Vine and TikTok found use in being posted on other social media sites, such as Twitter, as a form of reacting and responding to other posts. These videos become replicated into other contexts and often become part of Internet culture. An example of a TikTok meme is the cosplay by Nyannyancosplay juxtaposed to the musical track "Mia Khalifa" by iLoveFriday. This meme became known as Hit or Miss.[57] Hit or Miss has been referenced multiple times, including PewDiePie's 2018 Rewind as one of the most influential memes of the year alongside numerous other influential memes of the year.[58] PewDiePie's 2018 rewind video has been viewed over 83 million times and has 9.5 million likes as of October 14, 2021. Hit or Miss has been remixed as well, including by other social media influencers such as Belle Delphine. SirKibbs' YouTube has uploaded a video of Belle Delphine and Kat (Nyannyancosplay) side-by-side comparison and has garnered over 4.4 million views as of October 14, 2021.[59]

Marketing

Public relations, advertising, and marketing professionals have embraced Internet memes as a form of viral marketing and guerrilla marketing to create marketing "buzz" for their product or service. The practice of using memes to market products or services is known as memetic marketing.[60] Internet memes are seen as cost-effective, and because they are a (sometimes self-conscious) fad, they are therefore used as a way to create an image of awareness or trendiness. To this end, businesses have taken to attempting two methods of using memes to increase publicity and sales of their company; either creating a meme or attempting to adapt or perpetuate an existing one.[61] Examples of memetic marketing include the FreeCreditReport.com singing ad campaign,[62] the "Nope, Chuck Testa" meme from an advertisement for taxidermist Chuck Testa, Wilford Brimley saying "Diabeetus" from Liberty Medical[citation needed] and the Dumb Ways to Die public announcement ad campaign by Metro Trains Melbourne.

Marketers, for example, use Internet memes to create interest in films that would otherwise not generate positive publicity among critics. The 2006 film Snakes on a Plane generated much publicity via this method.[63] Used in the context of public relations, the term would be more of an advertising buzzword than a proper Internet meme, although there is still an implication that the interest in the content is for purposes of trivia, ephemera, or frivolity rather than straightforward advertising and news.

Brands' use of memes has disadvantages when considering people's perception of a brand. While effective use of a meme can lead to increased sales and attention, seemingly forced, unoriginal, or unfunny usage of memes can negatively impact the brand as a whole.[64] For instance, the fast food company Wendy's began a social media approach in 2017 that heavily featured memes and was initially met with success, resulting in an almost 50% profit growth that year;[65] however, the strategy has also backfired when sharing memes that are controversial or otherwise negatively perceived by consumers.[66][67]

Throughout the years, there have been media that used, were inspired by, or centered around various memes. The most popular is Slender Man, a creepypasta meme that have been used in video games, films, and documentaries.[68] Another example is the pop culture novelOtaku Girl that used memes in its story, oftentimes as characters or antagonists, like Ultra-Instinct Shaggy and Big Chungus.[69]

By context

Finance

Further information: Meme stocks

Meme stocks, a particular subset of Internet memes in general, are listed companies lauded for the social media buzz they create, rather than their operating performance.[70]r/wallstreetbets, a subreddit where participants discuss stock and option trading, and the financial services company Robinhood Markets, became notable in 2021 for their involvement on the popularization and enhancement of meme stocks.[71][72]

Politics

Internet memes are a medium for communicating comical images and or phrases for mass online audiences.[23] As internet memes become a common means of online expression, they become quickly used by those seeking to express political opinions or to actively campaign for (or against) a political entity.[74] In some ways, they can be seen as a modern form of the political cartoon, offering up a way to democratize political commentary.[75]

Elections

Early examples of political memes can be seen from those resulting from the Dean Scream. Another example can be seen from MyDavidCameron.com, a website that allowed users to change the text of a British Conservative election campaign poster featuring David Cameron from the 2010 general election. This website was often used to produce memes that replaced the original slogan with a series of exaggerated claims or sarcastic fake campaign promises along with derision of David Cameron's airbrushed appearance.

Within each subsequent election, and the growing importance of visual communications due to the Internet and social media, memes have become a more important element within political campaigns as fringe communities have shaped broader discourse through the use of Internet memes.[76] For example, Ted Cruz's 2016 Republican presidential bid was damaged by Internet memes that speculated he was the Zodiac Killer.[77]

Another internet meme was created from the 2012 US presidential debate surrounding United States politician Mitt Romney's usage of the phrase "binders full of women". Internet meme creators quickly created "My Binders Full of Women Exploded", referencing the Korean pop song "Gangnam style" by overlaying the politician's quote onto a frame from Psy's music video where paper blows around him. This internet meme specifically indexes the central attribute of intertextuality by blending together pop culture with politics.[4]

There has further been academic research that provides evidence that the use of memes during elections has a role to play in informing the public. In a study of 378 Internet memes posted across Facebook during the 2017 general election, McLoughlin and Southern found memes were a widely shared conduit for basic political information to audiences who often did not seek it out.[78] Indeed, a fifth of all political memes posted during the election referenced a political policy which was part of a political parties mandate, while messages promoting people to vote were shared more than 160,000 times, suggesting memes have a small role to play in increasing voter turnout.[78] Satirical memes that express political opinions are effective in not only informing others but also driving political debate and engagement with politics by offering an easy and even fun way to talk about important issues.[79]

Some political campaigns have begun to explicitly taken advantage of the increasing influence of memes; as part of the 2020 US presidential campaign, Michael Bloomberg sponsored a number of Instagram accounts with over 60 million collective followers to post memes related to the Bloomberg campaign.[80] Similar to criticisms against corporations who use meme marketing, the campaign was faulted for treating meme culture as an advertisement or something that can be bought.[81]

The 2020 Presidential Campaign of Kanye West quickly became a meme, following its announcement on Twitter, with numerous celebrities and influencers endorsing the rapper out of irony. Other personalities began announcing their own satirical presidential campaigns, parodying West.[citation needed]

Social movements

Internet memes provide significant contributions toward social issues.[11] Memetric structures have enabled social movements to become spreadable pieces of information.[11]

During the 2010 It Gets Better Project for LGTBQ+ empowerment, memes were continuously used to promote and uplift LGTBQ+ youth.[82] The Human Rights Campaign equal rights symbol became an internet meme in defending the legalization of same sex marriage.[83]

The Ice Bucket Challenge became a viral meme in promoting and raising money and awareness for amyotrophic lateral sclerosis.[11]

The Occupy Wall Street (OWS) protest movement saw a rise in internet memes after gaining attention on social media. All internet memes that were created and shared during the movement were very important in mediated discussions surrounding the OWS. Typical phrases such as "We Are the 99%" and "This is what democracy looks like", were remixed into memes and subsequently posted in the discussion board of OWS on popular social media sites such as Reddit, Tumblr, and 4chan. Those who actively participated in the movement conversed through these visuals.[84]

Memes making political or social points are sometimes structured as ostensible thought experiments in various forms, such as, "What if A were B in situation X?" and are framed to provoke a particular response. The conclusions intended, however, do not necessarily follow since there can be multiple factors determining the outcomes in situation X.[85]

Religion

Internet memes have also been used in the context of religion.[86][87]

Copyright

The eligibility of any memes to get copyright protection depends on the copyright law of the country in which such protection is sought. Some of the most popular formats of memes include cinematographic stills, personal or stock photographs, rage comics, and illustrations meant to be a meme,[88] and the copyright implications differ for each of these different formats. There is precedent both for memes to be in violation of copyright and in other memes having copyrights of their own.

If it is found that the meme has made use of a copyrighted work, such as the movie still or photograph without due permission from the original owner, it would amount to copyright infringement. Rage comics and memes created for the sole purpose of becoming memes would normally be original works of the creator and therefore, the question of infringing other copyright work does not arise.[89] In a cinematographic still, part of the entire end product is taken out of context and presented solely for its face value. The still is generally accompanied by a superimposed text of which conveys a distinctive idea or comment, such as the Boromir meme[90] or "Gru's Plan".[91] This does not mean that all memes made from movie still or photographs are infringing copyright. There are defenses available for such use in various jurisdictions which could exempt the meme from attracting liability for the infringement.

United States

Main article: Copyright § Obtaining protection

Under United States copyright law, a creation receives copyright protection if it satisfies four conditions under 17 U.S.C. § 102.[92] For a meme to get copyright protection, it would have to satisfy four conditions:

  1. It falls under one of the categories of work which is protected under the law
  2. It is an "expression"
  3. It has a modest amount of creativity
  4. It is "fixed".[93]

Memes can be considered pictorial, graphical or motion picture, and so are subject to copyright law.[92] As such, memes are protected under copyright under the same conditions as these mediums, including concepts such as the low threshold of originality for what constitutes creativity (as demonstrated by Feist Publications, Inc., v. Rural Telephone Service Co).[94] Since a meme is essentially a comment, satire, ridicule or expression of an emotion it constitutes the expression of an idea. Memes are contained in the medium of the Internet and so are fixed expressions by 17 U.S.C. § 101.[95]

Fair use

Main article: Fair use

Fair use is a defense under U.S. copyright law which protects work that has made using other copyrighted works.[96] The section provides that if a copyrighted work is reproduced "for purposes such as criticism, comment, news reporting, teaching [...], scholarship or research", it would not amount to infringement. Notably, for memes, the use of the term "such as" in the section denotes that the list is not exhaustive but merely illustrative. Furthermore, the factors mentioned in the section are subjective in nature and the weight of each factor varies on a case to case basis.[97]

The four factors are:

  1. The purpose or character of use,
  2. The nature of the copyrighted work,
  3. The amount and substantiality of the portion used, and
  4. Effect on the market.

Many memes are transformative in nature as they have no relation to the original work and the motive behind the communication of the meme is personal, in terms of disseminating humor to the public; such memes, being transformative, would be covered by fair use.[97] However, copying memes that are made for the sole purpose of being memes would not enjoy this protection as there is no transformation—the copying has the same purpose as the original meme which is to communicate humorous or entertaining anecdotes.[98] Purpose and character of use weigh in against memes which have been used for commercial purposes because in those cases, the work has not been created for the communication of humor but for economic gain. For example, Grumpy Cat won $710,001 in a copyright lawsuit against the beverage company Grenade which used the Grumpy Cat image on its roasted coffee line and t-shirts.[99]

The nature of the copyrighted work asks what the differences between the meme and the other material are. This factor applies to many types of memes because the original work is an artistic creation that has been published and thus the latter enjoys protection under copyright which the memes are violating. However, as memes are transformative, this factor does not have much weight.[89]

The amount and substantiality of the portion used tests not only the quantity of the work copied but the quality that is copied as well.[100] Memes copy only a small portion of a complete film, whereas for rage comics and personal photographs, the entire portion has been used to create the meme. Despite this, all categories of memes could fall under fair use because the text that is added to those images adds value, without which it would just be pictures.[97] Moreover, the heart of the work is not affected because the still/picture is taken out of context and portrays something entirely different from what the image originally wanted to depict.[101]

Lastly, the effect on the market offers court analysis on whether the meme would cause harm to the actual market of the original copyright work and also the harm it could cause to the potential market.[102] The target audience for the original work and meme is entirely different as the latter is taken out of the context of the original and created for use and dissemination on social media.[89] Rage comics and memes created for the purpose of being memes are an exception to this because the target audience for both is the same and copied work could infringe on the potential market of the original. Warner Brothers was sued for infringing the Nyan Cat meme by using it in its game Scribblenauts.[103]

NFTs

Some subjects of memes made money from them through licensing deals. In 2021, in a new version of this concept several subjects of memes sold NFTs through auctions.[104] Ben Lashes, who managed numerous memes, said sales of these as NFTs had made $2 million and established memes as serious art.[105] One example of how this idea works is the case of "Disaster Girl", based on a photo of Zoe Roth at age 4 taken in Mebane, North Carolina in January 2005.[105] After the photo became famous and was used hundreds of times without permission, Roth decided to sell the original copy[106] as an NFT, for the equivalent of US$486,716.[107] The smart contract was programmed to give the family 10 percent of proceeds when the NFT was sold.[106]

India

Under Section 2(c)[108] of the Indian Copyright Act, 1957, a meme could be classified as an 'artistic work' which states that an artistic work includes painting, sculpture, drawing (including a diagram, map, chart or plan), an engraving or a photograph, whether or not any such work possesses artistic quality.[93] The section uses the phrase "whether or not possessing artistic quality", the memes that are rage comics or those such as Keyboard Cat would enjoy protection as they are original creations in the form a painting, drawing, photograph or short video clip, despite not having artistic quality.[109] Memes that made from cinematograph still or photographs, the original image in the background for the meme would also be protected as the picture or the still from the series/movie is an 'artistic work'.[88] These memes are a modification of that already existing artistic work with some little amount of creativity and therefore, they would also enjoy copyright protection.

Fair dealing

Main article: Fair dealing

India follows a fair dealing approach as an exception to copyright infringement under Section 52(1)(a) for the purposes of private or personal use, criticism or review.[110] The analysis requires three steps: the amount and substantiality of dealing, the purpose of copying, and the effect on potential markets.

The amount of sustainability of dealing asks about how much of the original work is used in the meme, or how the meme transforms the original content. A meme makes use to existing copyright work whether it is a cinematograph still, rage comic, personal photograph or a meme made for the purpose of being a meme. However, since a meme is made for comedic purposes, taken out of context of the original work, they are transforming the work and creating a new work.[93]

The purpose of copying factors in the purpose of the meme compared to the purpose of the original work. Under Section 52(1)(a), the purpose is restricted to criticism or review.[110] A meme, as long as it is a parody or a criticism of the original work would be protected under the exception, but once an element of commercialization comes in, they would no longer be exempted and because the purpose no longer falls under the those mentioned in the section .[109] When the Indian comedic group All India Bakchod (AIB) parodied Game of Thrones through a series of memes, the primary purpose was to advertise products of companies that have endorsed the group and thus was not fair dealing.[98]

Memes generally do not have an effect on the potential market for a work. There must be no intention on part of the infringer to compete with the original owner of the work and derive profits from it.[111] Since memes are generally meant for comedic value and have no intention to supplant the market of the original creator, they fall within the ambit of this section.[109]

See also

References

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